Jesse is a world leader in the integration of the science of learning into formal teaching settings. He is an Adjunct Associate Professor at the University of Lethbridge and Director at The Academy for the Scholarship of Learning. Huge advocate of the science of learning, he provides people with ideas about how they can use it in their classrooms. Jesse holds a PhD in Psychology from the University of Wales, Bangor.
There are certain dispositional attributes that those who have exhibited higher order creativity bring with them to the table. Miller tells us that from Picasso to Einstein, there are similar traits that can be observed in those who create as a higher order thinking skill.
In addition to the dispositional aspects of creativity that I previously wrote about, there are environmental aspects that we have more control of. There are definite cultural and social environments that enhance the higher order thinking skill of creativity and the creative process and will allow dispositional aspects to flourish.
I’ve written generally about creativity, the individual dispositional traits and attitudes conducive to creativity, and how the environment and culture a person finds themselves can help or hinder creativity. Today I’m writing a little bit about the creative process itself based on interviews with individuals who have been recognized for creating using creativity as a higher order thinking skill as well as some research carried out over the last century.
The fixation of higher education (HE) on delivering content in the world of information abundance is baffling.
There are two very different types of creativity: convergent and divergent.
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